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Women of Okinawa: book cover

Book Info:
Women of Okinawa: Nine Voices from a Garrison Island
By Ruth Ann Keyso
Cornell University Press; ISBN: 0801486653; (November 2000) pp. 256

Okinawa Bases: Pro and Con
Okinawa prefecture
Okinawa Peace Network: Los Angeles
Virtual Okinawa Military Directory
Kadena Air Base
US Naval Hospital




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A Rock and a Hard Place
By: Yuki Allyson Honjo

To most non-Japanese, Okinawa is merely part of Japan. To Japanese, Okinawa is part of Japan but at the same time, a different place.

Affectionately called "The Rock" by locals, Okinawa is caught in its proverbial hard place. The island economy revolves around the US bases, but they are also reminders of a devastating war. Nearly one fourth of the civilian population died in the Battle of Okinawa, and fighting left the island a wasteland. Islanders also bear suspicions toward Japan as the central government was content to leave the US bases on the islands after the 1972 reversion.

In September of 1995, Okinawa became impossible to ignore. Three US servicemen rented a car and proceeded to abduct, beat, and rape a twelve year old Okinawan girl. The US military authorities mishandled the affair. The New York Times reported that Admiral Richard C. Marke stated the entire affair could have been avoided as the assailants should have hired a prostitute for the price of the car rental. The nature of the crime gave Okinawan protests a moral weight and a new urgency.

Women of Okinawa: Nine Voices from a Garrison Island, is a book that examines Okinawa's relationship with Japan and the US bases through the experiences of nine Okinawan women of three different generations. Ruth Ann Keyso interviewed women ranging from a housewife, a secretary at one of the US bases, to the former Miss Okinawa. The political is intimately the personal: the war, the reversion to Japan, the US bases-these issues are all part of these women's daily lives. Each of the women has a distinct voice, and her personality and character flow out from each of the stories. Some are particularly affecting: Fumiko Nakamura, a documentary filmmaker and peace activist, recounts how a relative had to bury Nakamura's mother on the side of the road while fleeing during the war. After the war, when US military came with bulldozers to widen the roads, twenty graves were uprooted. Her family tried to recover the body, but was told that their search would disrupt construction-Nakamura's mother still lies buried in an unknown location under one of the Okinawa's roads.

The women's ambivalence toward the mainland and US bases is present in all three generations. None of the women particularly dislikes Americans, even those who survived the Battle of Okinawa. Keyso states that one of reasons why she chose to concentrate on women was the fact that they had the most contact with GI's as maids, girlfriends, waitresses, cashiers, as well as objects of physical violence. All of the women acknowledge that the island's fortunes are tied to the bases: without them, the already poor prefecture would be even poorer. Also interesting are the experiences of these women on the mainland. Younger women complained that mainland Japanese assumed that they spoke English, were "half" or Phillippena, or were too poor to afford shoes. Ironically, many of these women's identity was "Okinawan" was forged by their time on the mainland. Older women expressed their disappointment in a central government that they felt turned their back on Okinawa after the US occupation.

Less insightful are Keyso's remarks at the start of each chapter. One gets the uncomfortable feeling that she is partaking in some cultural rubber necking: she writes about "stretching my neck around animatedly" when she visited the red light district of Naha. The author inserts herself into the situation: Keyso fears, Keyso has "selfish desires," Keyso "saunters" rather than walks. Far be it from focusing on the interviewee's background and activities, we are forced to hear about Ms Keyso's "brown hair and green eyes". For that matter, the author seems obsessed with hair: Junko Isa's "was the color of coal save for a few snow white strands", another has "shoulder length sable-black hair," "jet black hair," "raven black hair," "inky black hair in a ponytail": after the ninth description of hair (whilst using every available synonym for black), one wants to scream, "Enough with the hair already". Not only are her descriptions clunky and overly dramatic, they verge on the annoying.

Aside from Keyso's commentary, the book is highly readable and serves as a nuanced guide through the uncomfortable triangular relationship between the US, Japan, and Okinawa. Their voices and their experiences are unique, their stories memorable. But in the end, the women of Okinawa have stories that deserve to be told. But after all, isn't that what really matters?


"Keyso states that one of reasons why she chose to concentrate on women was the fact that they had the most contact with GI's as maids, girlfriends, waitresses, cashiers, as well as objects of physical violence."


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